|
Page 3 |
Add Ellen Hansen to the list of people who assisted us in our
quest for details. Add Carol Peining and Eric Schlorff to the list of
people who assisted us in the technical production of the book. 2P |
|
Page 30 |
Brasstown -
Donna mailed her tune to us long before the printing deadline. It took the
U.S. Postal service 9 months to deliver her letter, which arrived shortly
after the book was published. Click
here to see Donna’s setting. 2P |
|
Page 30 |
Buzz the 9 -
Add
the following bassline notes to the chords in measures A-5, -6, and -7:
|
D D/C | G/B G/B flat | D/A | 2P |
|
Page 36 |
Cattle in the Cane -
The
courtesy key signature at the end of the tune should have just 2 sharps, F
sharp and C sharp. 2P |
|
Page 50 |
Dedicado à Jos -
In
measure A-7, change the 6th note from an F sharp to an E.
This is the only change, but it eliminates the
need to include measure A-7 in the first and second endings. Click
here to see the revision. |
|
Page 50 |
The
Derry Reel
- The very last measure of the tune should have an E chord on the first
beat and an A chord on the second beat. We discovered this error after the
2nd printing was finished. It will be corrected in the 3rd printing. |
|
Page 63 |
Flying Home to Shelley -
In
measure A-4, the last note should be a C rather than a D. 2P |
|
Page 119 |
Lost Everything
- In
measures B1 and B5 the last note should be a B rather than an A, and those
quarter B notes should tie to the eighth B notes at the beginning of
measures B-2 and B-6. 2P |
|
Page 122 |
Mad
River -
B Part:
alternate version. In measures B-2 and B-6, the chords should be E rather
than A. 2P |
|
Page 136 |
Monique at the Anvil
- Alternate chords: In the B part, the repeat sign should be placed at the
in front of the Dm starting the 3rd line rather than at the beginning of
the 4th line. |
|
Page 140 |
The
Reel of Mullinavat
- Place a repeat sign at the beginning of the 5th line of music, which is
the beginning of the B part. 2P |
|
Page 144 |
The
New Stove
- The key signature of the tune should be 6/8 rather than cut time. (We
discovered this error after the 2nd printing was finished. It will be
corrected in the 3rd printing.) |
|
Page 158 |
6/8
du Petit Sarny
- Measure B-4 should not have a repeat sign. 2P |
|
Page 204 |
Through the Gates
- Measure A-4 should not have a repeat sign. 2P |
|
Page 211 |
Turkey in the Peapatch - Possible cross tune should be ADAE.
2P |
|
Page 214 |
Le
24 Juin
- The second line of the play directions should read: “Or, play ABCB (once
through this sequence is twice through a contra dance).” 2P |
|
Page 215 |
Le
24 Juin
- Information below the tune should read: “This tune was composed with the
following structure: AA, BB, CC, BB, ending on AA with the coda replacing
the last 3 measures of A-2.” 2P |
|
Page 233 |
Becky’s Mode
- Correct spelling is Becky Hollingsworth. 2P |
|
Page 235 |
Billy in the
Lowlands
- Correct spelling is Emery Bailey. 2P |
|
Page 238 |
The
Breakwater Boys Breakdown
- The third line from the end should read: “but leaving the C’s natural.”
2P |
|
Page 242 |
The
Cincinnati Rag - Correct spelling is Clarence Green. 2P |
|
Page 252 |
Girl with the Blue Dress On
- The second line should read: “New York fiddler George Wilson.” 2P |
|
Page 264 |
Mary Ann’s Reel
- Insert: “with alternate chords played in Portland.” 2P |
|
Page 273 |
Monique at the Anvil
- Insert after Bob Pasquarello “who provided the alternate chords.” 2P |
|
Page 277 |
Old
John Tate
- Correct spelling is Glenn Berry. 2P |
|
Page 278 |
The
Other Good Host
- Correct spelling is Chris Roe. 2P |
|
Page 279 |
Swing Away
-
Substitute this text beginning with: “George tells us that he and hammer
dulcimerist Bill Spence plucked the tune out of Cole’s 1,000 Fiddle
Tunes, where it was called “Humors of Boston Hornpipe,” in the key of
B flat. Then the mills of the folk process began to grind. They changed
the key to G to make it more adaptable to the dulcimer—and also because,
as George says, “’I couldn’t play it in B flat, anyway.” They recorded it
that way on one of Spence’s albums, and that’s where the title got
switched. “All the titles were wrong on that album!” Then later, George
switched it over to A, which is how it lies on the Kicking Mule album and
under the fingers of most players these days. Whichever key you choose to
play it in, it has an unmistakable New England ring to it. This is a truly
great contra dance tune.” 2P |
|
Page 297 |
Tam
Lin
- The alternate version is from Rex Blazer. 2P |
|
Page 299 |
Le
Tourment
- Should read “We played the tune in G, but Jean-Paul recorded it in C (as
notated here)...” 2P |
|
Page 305 |
Willafjord
- AKA Wullafjord. 2P |
|
Page 324 |
Add: Wullafjord see Willafjord 2P |
¯